Piero Mottola, 2014

Symphony of sounds and colors that, connected to the natural habitat of Cerreta and made to be respectively heard and seen within a circular platform, symbol of eternity, in which each slice corresponds to an emotion, the installation is intended to be the result of an environmental research to be translated into the dematerialization of concrete elements in the fluidity of sound.

Piero Mottola

Born in Caserta in 1967. He lives and works in Rome. He is an experimental
artist and musician. He teaches Sound Design and Multimedia Installations at the Academy of Fine Arts in Rome. His training takes place within the framework of Eventualist Theory – defined by Sergio Lombardo at the end of the 1970s – at the Jartrakor Study Center in Rome, where in 1988 he held his first solo show at which he exhibited his Miglioramento-Peggioramento experiments.

From 1990 to 1994 he participated in the FIAC in Paris with the Mara Coccia Gallery in Rome, in the Young Artists exhibition at the Palazzo delle Esposizioni in Rome (curated by A. Perilli), in the XXXVII Premio Termoli (curated by A. B. Oliva), in Artissima in Turin with the Ellequadro Gallery in Genoa, in the Palazzo Serra Gerace in Genoa (curated by O. Calabrese) and in Flash Art Arte Giovane at the Fabbrica del Vapore in Milan (curated by G. Di
Pietrantonio).

Beginning in 1994 his research evolves toward an original construction of acoustic and visual evocative stimuli with complex emotional relationship systems significant of aesthetic, musical and emotional values. He has been exhibiting composed acoustic stimuli since 1995. His artistic career is steadily on the rise. His multimedia installations have been exhibited in the most prestigious institutional venues.